Dear Cleo 18 07 08

Dearest Cleo

It was good to catch up this morning, even if things were a little bit rushed I hope you had a good time at your school fete and that it wasn’t too hot. England played probably the best they have played in the tournament so far, so something might be coming home, but I remain to be convinced that it is football.

Parallel Project Collaboration

1.1 Drawing with Auburn

Being Auburn’s curator is all very well but in order to collaborate I need to create, Auburns drawings are totally linear, this is an element that must be accentuated in any work I do that is inspired by the drawings of Auburn. I started by pinning a selection of Auburns drawings to the wall and out of these I chose this one:

Figure 1 Sharpie on A5 Cartridge by Auburn

I studied the drawing some more, photographed it and cropped it in Photoshop leaving the part I felt most attracted to, I printed two copies of this one that I pinned to the wall and one that I folded into four and kept in the back pocket of my jeans.

Figure 2 Digital photograph crop

I didn’t do anything then for two or three days except look at the drawing when I had the chance. I followed the marks Auburn had made and as best as I could the directions in which he had made them. Memorising and internalising the process and way in which Auburn draws. With the sharpie in my clenched fist I practiced the energy that Auburn instils in his mark making and then I drew this:

Figure 3 Apple still life, Sharpie and charcoal on A2 sugar paper

For me the underlying drawing gives it a lot of strength and energy and it retains a sense of the cheeky monkey that Auburn is. I had another go working from this drawing by Auburn.

Figure 4 Sharpie on A5 Cartridge by Auburn

My first attempt produced this;

Figure 5 Sharpie on A2 sugar paper

Although I have superimposed an invented still life on top of Auburns marks, the drawing still retains a sense of urgency from his marks and accentuating the linear qualities of Auburns mark making adds strength to the drawing. I placed a sheet of tracing paper over the drawing traced through the linear marks and produced this;

Figure 6 Still life with dancer Sharpie and pastels on A2 sugar paper

The linearality and the strength of composition derived from Auburn’s original drawing remains strong in the final piece. The tracing paper and pastels are a nod to Degas’ process, the dancer reminds me a little of Matisse, and I think, like Picasso, I am learning to draw like a child.

The exercises in the course have helped, bringing a piece of work from music or pixilation or improving on the random works of Butada, my drawing machine. Overall though I think that one of the best things the course has done is to give me the confidence to draw from my imagination and memory, which is of course another childlike ability.

It is good that you have now seen The Greatest Showman it is an old style Hollywood film but not nearly as good as the real old style Hollywood films. The next time I babysit we will watch The Greatest Show on Earth with popcorn, that really is a film.

My love as always